• HOME
  • WORKS
    • THE CROWD
    • DRAWINGS
    • WORKS 1967-2017
    • WORKS IN CLAY
  • STORIES
  • BIOGRAPHY
    • SOLO EXHIBITIONS
    • GROUP EXHIBITIONS
    • PUBLIC WORKS
    • MUSEUM AND COLLECTIONS
    • AWARDS, PRIZES AND SCHOLARSHIP
    • FILMS
  • BIBLIOGRAPHY
    • EXHIBITIONS CATALOGUES
    • SELECTED BIBLIOGRAPHY REVIEWS
  • EVENTS
  • CONTACT US
  • HOME
  • WORKS
    • THE CROWD
    • DRAWINGS
    • WORKS 1967-2017
    • WORKS IN CLAY
  • STORIES
  • BIOGRAPHY
    • SOLO EXHIBITIONS
    • GROUP EXHIBITIONS
    • PUBLIC WORKS
    • MUSEUM AND COLLECTIONS
    • AWARDS, PRIZES AND SCHOLARSHIP
    • FILMS
  • BIBLIOGRAPHY
    • EXHIBITIONS CATALOGUES
    • SELECTED BIBLIOGRAPHY REVIEWS
  • EVENTS
  • CONTACT US

  • The Lowest of Heavens or like Holding Back the Sea with a Broomstick, 2002
    National Gallery of Denmark, 2007
    LB Group gift
    Photo Eli Benveniste
  • A Perfect Hero, 2011 and Apocalypse II, 2010
    The Skovgaard Museum, Viborg, Denmark, 2013
    Photo Eli Benveniste
  • A Self-Inflicted Miracle Waits for a New One, 2005, polychrome stoneware, 32 x 33 x 51 cm
    Photo Simon Lautrop
  • He Who Saw the Future, He Who Got Caught by Time, He Who Doesn’t Believe in Believing, 2001, polychrome stoneware, iron and wood, 62 x 104 x 40 cm
    collection of Bornholm Art Museum
    Photo Eli Benveniste
  • Thats Why They Call Them Dogs, 2011, polychrome stoneware, aprox. 30 x 70 x 50 cm
    collection of Bornholm Art Museum
    Photo Courtesy Skovgaardmuseet Viborg
  • Thats Why They Call Them Dogs, 2011, polychrome stoneware, aprox. 30 x 70 x 50 cm
    collection of Bornholm Art Museum
    Photo Courtesy Skovgaardmuseet Viborg
  • A He and a She, 2005, polychrome stoneware, 49 x 42 x 20 cm
    Photo Eli Benveniste
  • You Better Like Him, 2012, polychrome stoneware, 38 x 65 x 59 cm
    Photo Eli Benveniste
  • The Brothers, Guild and Sorrow, 2004, painted stoneware with wooden base, 40 x 48 x 100 cm
    collection of Bornholm Art Museum
    Photo Eli Benveniste
  • The Man who Saved Himself Through his Own Arsehole, 2002, polychrome stoneware, painted wood, wire, 84 x 55 x 40 cm
    While We Wait, 2004, polychrome stoneware, 39 x 27 x 17 cm
    Fed by Time, 2005, polychrome stoneware, 28 x 17 x 24 cm
    Photo Simon Lautrop
  • The Man Who Saved Himself Through His Own Arsehole, 2002, polychrome stoneware, painted wood, wire, 84 x 55 x 40 cm
    Photo Simon Lautrop
  • The Brothers, Guild and Sorrow, 2005, polychrome stoneware, 25 x 46 x 29 cm
    Photo Simone Sandahl - Hans Alf Gallery
  • National Sentiment, 2007, polychrome stoneware, 40 x 32 x 32 cm
    collection of National Gallery of Denmark
    Photo Courtesy National Gallery of Denmark
  • Slaughterscene, 2006, polychrome stoneware, 69 x 46 x 48 cm
    Photo Eli Benveniste
  • The Judgement or Something I Read, 1999, stoneware with watercolour, textile, 32 x 23 x 36 cm
    Photo Jørgen Haugen Sørensen
  • A Dark Story in White, 2014-2017, Paola Raffo Arte Contemporanea, Pietrasanta, 2017
    Photo Courtesy Paola Raffo Arte Contemporanea
  • The Ignorant, 2008, terracotta and red earth
    Centro Fotográfico, Oaxaca, Mexico
    Photo Jørgen Haugen Sørensen
  • That’s why they call them Dogs, 2008
    Centro Fotográfico, Oaxaca, Mexico
    Photo Jørgen Haugen Sørensen
  • That’s why they call them Dogs, 2008
    Centro Fotográfico, Oaxaca, Mexico
    Photo Jørgen Haugen Sørensen
  • Justitio IV, 2017, glazed stoneware, 31 x 63 x 62 cm
    Photo Simon Lautrop
  • Apocalypse II, 2010, glazed stoneware, 130 x 144 cm
    collection of Bornholms Art Museum
    Photo Simone Sandahl - Hans Alf Gallery
  • Courtroom 60 at the City Court House in Copenhagen, 2011
    Photo Simon Lautrop

Copyright 2024, Jørgen Haugen Sørensen ARCHIVE. All Right Reserved.
PRIVACY POLICY | COOKIE POLICY