The Crowd, 2017, Bronze, 250 x 184 x 192 cm

Piazza Duomo, Pietrasanta, Italy

Now permanently placed in Piazza Francesco Crispi, Pietrasanta

Photo Eli Benveniste

Jørgen Haugen Sørensen and Eli Benveniste working on The Shadow in his studio, 2017

Photo Patricia Franceschetti

Jørgen Haugen Sørensen with Marc Michel Loret working on The Crowd, 2017

Liber Studio - Scultori associati, Pietrasanta, Italy

Photo Patricia Franceschetti

Jørgen Haugen Sørensen in his studio working on The Shadow, 2017

Photo Patricia Franceschetti

The Shadow in clay (detail), 2017

Photo Patricia Franceschetti

The Shadow, The Crowd and While We Wait, 2017

Piazza Duomo, Pietrasanta, Italy

Photo Eli Benveniste

The Crowd, 2017, bronze, 250 x 184 x 192 cm

Piazza Duomo, Pietrasanta, Italy

Photo Heine Pedersen

While we Wait, 2017, marble Versilys, 180 x 80 x 120 cm

Piazza Duomo, Pietrasanta, Italy

Photo Heine Pedersen

Jørgen Haugen Sørensen working on While We Wait, 2017

Laboratorio Henraux, Querceta (LU), Italy

Photo Heine Pedersen

The exhibition in Sant’Agostino Church, Pietrasanta, Italy with That’s Why They Call Them Dogs, 2002

Photo Heine Pedersen

Two Participants in the Big Game, 2017

Sant’Agostino church, Pietrasanta, Italy

Photo Heine Pedersen

Two Participants in the Big Game, 2017, glazed stoneware

the sitting 60 x 50 x 54 cm, the crouching 38 x 80 x 80 cm

Sant’Agostino church, Pietrasanta, Italy

Photo Heine Pedersen

That’s Why They Call Them Dogs, 2002, painted bronze

Sant’Agostino church, Pietrasanta, Italy

Photo Heine Pedersen

I think I See, 1998, glazed stoneware

collection of Bornholm Art Museum

The Others or the Witnesses, 2006, 48 heads, terracotta

collection of Bornholm Art Museum

Sant’Agostino church, Pietrasanta, Italy

Photo Eli Benveniste

I think I See, 1998, stoneware

collection of Bornholm Art Museum

Sant’Agostino church, Pietrasanta, Italy
Photo Eli Benveniste

I think I See (detail), 1998, stoneware

collection of Bornholm Art Museum

Sant’Agostino church, Pietrasanta, Italy
Photo Eli Benveniste

The Witnesses or the Others (detail), 2006

Collection of Bornholm Art Museum

Sant’Agostino church, Pietrasanta, Italy
Photo Francesco Martinelli

Model for The Crowd, 2016, glazed stoneware, 82 x 71 x 73 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Heine Pedersen

A Dark Story in White, 2016-17

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

Justitia IV, 2017, glazed stoneware, 31 x 63 x 62 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

From left:

Random Justice, 2017, glazed stoneware, 72 x 69 cm

The Defeated, 2017, glazed stoneware, 66 x 65 cm

The Shadow IV, 2017, glazed stoneware, 50 x 15 x 50 cm (Private collection)

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Heine Pedersen

The Crowds III, 2017, glazed stoneware, 67 x 66 cm Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Simon Lautrop

Random Justice IV, 2017, glazed stoneware, 66 x 66 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Simon Lautrop

Random Justice II, 2017, glazed stoneware, 66 x 66 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

The Future, 2016, glazed stoneware, 65 x 65 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

The Big Idea, 2016, glazed stoneware, 64 x 65 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

Random Justice III, 2016, glazed stoneware, 62 x 62 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

The Bystanders, 2016, glazed stoneware, 50 x 40 x 37 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

The Mass, 2016, glazed stoneware, 50 x 60 x 60 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

They Were There, 2016, glazed stoneware, 33 x 46 x 83 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

The uninvited, 2016, glazed stoneware, 58 x 36 x 14 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

Unhappy Dog, 2016, glazed stoneware, 34 x 60 x 40 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Eli Benveniste

Model for The Crowd, 2016, glazed stoneware, 82 x 71 x 73 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Francesco Martinelli

Square Crowd, 2017, glazed stoneware, 40 x 48 x 37 cm

Sant’Agostino Cloister, Sala Capitolo, Pietrasanta, Italy
Photo Francesco Martinelli

Portrait of an Old Agreement, 1972, bronze, rubber, textile, marble and plastic

collection of Randers Museum of Art, Hans Helmer and Vibeke Jørgensen

Sant’Agostino Cloister, Sala Putti, Pietrasanta, Italy
Photo Eli Benveniste

Franco Boia, 1974, bronze, 285 x 135 x 130 cm

collection of Esbjerg Art Museum

Sant’Agostino Cloister, Pietrasanta, Italy
Photo Heine Pedersen

Europe, 1992, red Spanish granite, 79 x 96 x 77 cm

Garden of Sant’Agostino, Pietrasanta, Italy

Photo Heine Pedersen

The School, 1995, red Finnish granite, 71 x 88 x 70 cm

Garden of Sant’Agostino, Pietrasanta, Italy

Photo Eli Benveniste

In front:

Model for monumental sculpture I, 1996, portuguese yellow Jané granite, 100 x 90 x 85 cm

Garden of Sant’Agostino, Pietrasanta, Italy

Photo Eli Benveniste

In front:

Model for monumental sculpture III, 1996, portuguese yellow Jané granite, 91 x 68 x 70 cm

Model for monumental sculpture IV, 1996, portuguese yellow Jané granite, 73 x 63 x 74 cm

Garden of Sant’Agostino, Pietrasanta, Italy

Photo Heine Pedersen